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‘King of K-pop’ pioneered music industry practices that fueled the genre’s global expansion

Lee Soo Man resisted the title at first. “King of K-pop” sounded too brash, too nightclub-esque — like something you’d see on a neon sign in Itaewon, a nightlife neighborhood in the South Korean capital Seoul once popular with U.S. soldiers and foreign visitors. “I asked them, ‘Couldn’t it be Father of K-pop?’” the 73-year-old … Read more

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